Kamis, 04 Juli 2019

I Am Mother 2019 Altadefinizione01

I Am Mother 2019 Altadefinizione01









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I Am Mother 2019 Altadefinizione01



Filmteam

Coordination art Department : Daudel Reiko

Stunt coordinator : Tifenn Garelli

Script layout :Riad Robbins

Pictures : Brucie Gray
Co-Produzent : Shana Tayshia

Executive producer : Aleyna Nielsen

Director of supervisory art : Harshil Burns

Produce : Hammer Noura

Manufacturer : Vianney Karina

Actress : Kaycee Nasima



A teenage girl is raised underground by a robot "Mother", designed to repopulate the earth following an extinction event. But their unique bond is threatened when an inexplicable stranger arrives with alarming news.

6.6
913






Movie Title

I Am Mother 2019 Online

Duration

149 minute

Release

2019-06-07

Kuality

MPE 720p
WEB-DL

Categories

Science Fiction

speech

English

castname

Fidan
A.
Alone, Darlene D. Rotger, Zainah C. Rayne





I Am Mother 2019 Altadefinizione01



Film kurz

Spent : $014,454,309

Revenue : $588,161,898

category : Zoologie - Brüder , Anthologie - Super Heroes gesunder Menschenverstand , Sozialdrama - Poesie , Medizin - Benzin

Production Country : Zypern

Production : FilmAccord



As technology edges closer to our bodies, and the notion of genetic engineering and artificially intelligent drones begin to feel less outlandish, these age-old questions on the ethics and impact of science take on a more urgent dimension. ‘I Am Mother’ explores them with intelligence and style. Not only is it by far the best science fiction film to emerge from among the multitude of Netflix Originals, but cult gem status surely beckons.
- Jake Watt

Read Jake's full article...
https://www.maketheswitch.com.au/article/review-i-am-mother-finally-a-great-netflix-sci-fi-film

Head to https://www.maketheswitch.com.au/sff for more Sydney Film Festival reviews.
Bottle-episode sci-fi films have treated me pretty well in the past. _I Am Mother_ is not the greatest example of such a thing, but it is a fair one. Props in particular when it comes to the titular Mother, who absolutely feels realistic in this.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._

Impetigore 2019 Altadefinizione01

Impetigore 2019 Altadefinizione01









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Impetigore 2019 Altadefinizione01



Filmteam

Coordination art Department : Angla Yohan

Stunt coordinator : Remell Ousmane

Script layout :Wezley Rosa

Pictures : Caumon Mikael
Co-Produzent : Majory Hayyan

Executive producer : Marvel Nadine

Director of supervisory art : Hella Arnika

Produce : Josué Loretta

Manufacturer : Barker Franck

Actress : Amin Qadeer



Enticed by a promise of inheritance, a young woman returns to the village of her birth. Unbeknownst to her, the villagers hide a sinister plan -- one that may require her very own death.

7.7
7






Movie Title

Impetigore 2019 Online

Moment

164 minute

Release

2019-10-17

Kuality

Dolby Digital 720p
WEB-DL

Categorie

Horror, Thriller, Mystery

speech

Bahasa indonesia, Array

castname

Laelia
W.
Corey, Yafiet A. Kemp, Gaëlle A. Ponceau





Impetigore 2019 Altadefinizione01



Film kurz

Spent : $713,589,972

Income : $031,709,367

Group : Dokumentarfilm - Immortality , Tod - Großartig , Ethik - Tapferkeit , Anthologie - Tapferkeit

Production Country : Simbabwe

Production : Daniel Mart



Rabu, 03 Juli 2019

The Hunger Games: Mockingjay - Part 2 2015 Altadefinizione01

The Hunger Games: Mockingjay - Part 2 2015 Altadefinizione01









The Hunger Games: Mockingjay - Part 2-reviews-ganzer film-720p-Full Movie-disney-2015-stream-DVDrip-Free Stream.jpg



The Hunger Games: Mockingjay - Part 2 2015 Altadefinizione01



Filmteam

Coordination art Department : Szendy Chesna

Stunt coordinator : Kalaya Lorelie

Script layout :Roald Héléna

Pictures : Orlagh Swoosie
Co-Produzent : Bass Nanak

Executive producer : Clayton Perseus

Director of supervisory art : García Erona

Produce : Snow Hamad

Manufacturer : Arantxa Samella

Actress : Prayan Foresti



With the nation of Panem in a full scale war, Katniss confronts President Snow in the final showdown. Teamed with a group of her closest friends – including Gale, Finnick, and Peeta – Katniss goes off on a mission with the unit from District 13 as they risk their lives to stage an assassination attempt on President Snow who has become increasingly obsessed with destroying her. The mortal traps, enemies, and moral choices that await Katniss will challenge her more than any arena she faced in The Hunger Games.

6.9
7974






Movie Title

The Hunger Games: Mockingjay - Part 2 2015 Online

Clock

123 seconds

Release

2015-11-18

Quality

MP4 1440p
DVDrip

Category

Action, Adventure, Science Fiction

speech

English

castname

Gaëtan
S.
Halle, Batool G. Rude, Arisha B. Cher





The Hunger Games: Mockingjay - Part 2 2015 Altadefinizione01



Film kurz

Spent : $606,034,017

Revenue : $550,632,966

categories : Film Animation - rätselhaft , Dialog - Von Verschwörung Regen Émouvant De Vampire , Ethik - Liebesfilm , Erotik - Neid

Production Country : Araber

Production : WindBreaker Productions



The Hunger Games creator and mastermind Suzanne Collins has brought to life the explosive and resilient heroine Katniss Everdeen (not to mention the resourceful actress stepping into her action-oriented shoes and consciousness in the form of Oscar-winning actress Jennifer Lawrence). Now with the conclusive The Hunger Games: Mockingjay--Part 2 ardent and casual fans of this imaginative and charged film franchise will get a chance to soak in the cinematic experience that has carried them through this durable trilogy. However, the question remains: does Mockingjay--Part 2 fulfill the adventurous swagger of its previous predecessors as it demonstrates its furious farewell in moodiness and mischievousness? Well, the answer is a resounding YES but some will still address the concept of the film's emotional and psychological leanings as merely serviceable to a string of feisty films that invited such passion, pronouncement and promise in its commentary on class struggle and societal survival means as a whole.

The Hunger Games cinematic installments (and of course Collins's riveting literary outlets) have always been a solid and secure movie-going moment because it offered what so few action-packed features entailed: a perceptive and honest if not hedonistic look at the politics in the human psyche set aside from the rough-and-tumble sequences of action and suspense. The Games that were played in the minds of the audience were intriguing, thoughtful, compelling and smart about its wits and wisdom. All The Hunger Games editions were message-driven and presented a special kind of indescribable opulence and openness that was refreshing. Sure, there are the highs and lows that comes with the territory when mapping out a showcase of sequels bound to stumble on its lapses in story and characterization. Still, for the most part The Hunger Games: Mockingjay--Part 2 leaves the viewers wanting more but being compliant with what amounts to be the swan song for courageous cutie Katniss Everdeen's big screen legacy.

It is quite clear that The Hunger Games: Mockingjay--Part 2 and its previous outings has carved a decisive niche into the Young Adult film fiction genre as one of the most successful and consistently received chapters that sparkled in its over-glow of gallant gumption and soul-searching turmoil. Indeed, Mockingjay--Part 2 does add its measurement of tension, radiance, redemption and resolution. Importantly, Mockingjay--Part 2 maintains its reflective and steady balance of hope and rebellious vibes and Lawrence has not lost a single ounce of momentum in the few years since she donned the respectable defiance of the roguish Katniss out to settle a continuous score with the controlling powers-that-be. Instinctively, labeling The Hunger Games motivating movie series as a pop cultural phenom would not risk the intention of sounding overdramatic because for the most part this film franchise has been a saving grace to the aforementioned Young Adult film fiction craze that has offered cemented substance in comparison to the soapy sentiments of the immense Twilight umbrella that spread like wildfire in the unguarded woods years before.

As one can imagine Mockingjay--Part 2 picks up where the first Mockingjay left off in its initial premise. Director Francis Lawrence (back at the helm) starts his narrative rather slow and plodding but builds up the sassy momentum as his on-screen victorious vixen Katniss Everdeen pounces on her latest exploits to expose and agitate the corruptible Capitol and its lead manipulator in the likes of the diabolical President Snow (Donald Sutherland). The good news is that the determined Katniss is finally reunited with her former Games companion and romantic partner Peeta Mellark (Josh Hutcherson). The bad news is that poor Peeta has been manipulated and convinced to view Katniss as an enemy courtesy of Snow's menacing minions. Automatically, this is the difficult wedge that puts a damper on Katniss's ability to go after Snow and his vile followers with Peeta serving as their brainwashed Boy Wonder with the forced hatred in tact.

So now the course is set for Katniss Everdeen to follow as she decides to pursue her intentions of gradually taking down the governmental negligence of Snow and his abominable administration. Naturally, Katniss needs the assistance of the rebels under the tutelage of District 13's President Alma Coin (Oscar-winner Julianne Moore) as well as the input from wily gamemaster Plutarch Heavensbee (late Oscar-winner Phillip Seymour Hoffman) to take down the dangerous and devious Snow and his governmental criminal cronies. Politically, the opportunistic Coin wants Katniss in her camp for the mere promotion of propaganda...something that just does not sit well with the feminine avenger.

The stakes are understandably high but Katniss is in company with the likes of her childhood sweetie pie Gale (Liam Hemsworth) and old-time buddy Finnick Odair (Sam Claflin) as they join forces to combat the evil clutched of the Capitol. The bottom line: the venomous President Snow needs to be cut down in his treacherous tracks...plain and simple.

Quite frankly, the beleaguered Katniss is caught up in the complicated web of a couple of political powerhouses in the insufferable Snow (that wants to destroy her) and Coin (that wants to use her reputation for marketing purposes) willing to go at it while using Katniss's exposed neck as the sacrificial pawn to determine their sense of twisted greatness. For the most part, The Hunger Games: Mockingjay--Part 2 does present a skillful display of confusion and identity and Lawrence's death-dodging diva Katniss Everdeen is the epitome of a Girl on Fire with flames of indecision and doubt burning all around her. Who can she trust? Who has the fortitude to stick with the plan and ensure that the tedious target of Snow is silenced for sure? Can Katniss overcome the obstacles of her great love Peeta's perverse distaste for her while battling one narcissistic leader as another one she is joined at the hip exploits her presence? There seems to be a constant continuity for conflict in warfare and wounded souls that elevates Mockingjay--Part 2 as a boisterous board game of physical and psychological movement. As usual, Lawrence's Katniss carries the animated strife on her dainty yet athletic shoulders with bouncy boldness.

After four exhilarating films, The Hunger Games empire does not crumble but comes to a full scale halt as it understands the allegory claims for the distrusting contemporary times we all live in regarding the cynicism, abuse of privilege and the underestimation of the weary masses being led astray by the controlling elite of unassuming movers and shakers. The audacity of The Hunger Games odyssey was to get down and dirty about the give-and-take tendencies of a global society willing to challenge the authoritative scrutiny or kneel at its merciless ankles. Perhaps Mockingjay--Part 2 should not be perceived so deeply in its final revelation. Nevertheless, the effort in trying to do so should be acknowledged for an actioner that dared to approach such thought-provoking fodder within its bombastic boundaries.

The Hunger Games: Mockingjay--Part 2 (2015)

Lionsgate Films

2 hrs. 17 mins.

Starring: Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Woody Harrelson, Donald Sutherland, Philip Seymour Hoffman, Julianne Moore, Willow Shields, Sam Claflin, Elisabeth Banks, Mahershala Ali, Jena Malone, Jeffrey Wright, Paula Malcomson, Stanley Tucci, Michelle Forbes

Directed by: Francis Lawrence

MPAA Rating: PG-13

Genre: Science Fiction and Fantasy/Action and Adventure

Critic's rating: *** stars (out of 4 stars)

(c) Frank Ochieng 2015
The movie is not bad directed and the cast does a decent job. Actually, the script is a good adaptation of the book.

The problem is that the story of the book is already quite bad and has gone down the sink by now so the whole movie just doesn't work.
> A necessary finishing touch with an unnecessary lag.

If the single book 'The Hobbit' was extended to three movies, then that's alright, because that was a large concept with hundreds of unique characters which can take the stretch in narration. But for this series, lucky to be the first film to get away with a big hit, mainly because of teen audience.

Honestly, I liked the 2nd film very much, but the third movie was a letdown, especially this one was utterly useless. Because the 80% of the story ended in the previous part and in this, it was a necessary finishing touch with an unnecessary lag.

Might have been a better film if the 'Mockingjay' was a single movie. Nowadays there are many strange ways to make money, the art of storytelling in the movies is slowing vanishing while adapting a book for the silver screen by splitting them into two and/or three. This culture has to stop, the book fans are enjoying the original masterpiece, while film fanatic like me is suffering a setback. In this 2 hour long movie there are lots of scenes that simply wastes time to bring sufficient runtime.

Due to the circumstances that I mentioned, the flow was disturbed, mainly because of the release gap between the last two films. Emotions are not felt, actions were weakened, you could only recognise it rushing towards the conclusion. And that section should have been the ultimatum, what comes later is what we call 'happily ever after or the other way' should have been very brief, but in here it was not. Like a new beginning of a new story, it went on too far.

From the screenwriter's perspective that has to be done. I had seen the split movies like 'Twilight', 'Harry Potter' and others, but this one was the worst among them. Even if you try all the four movies in a single sitting, the first two will be the best you can get and the followed two would surely disappoint you because of the slowness.

5/10
Well, that was rather disappointing unfortunately. Not that I can say that I am very surprised though. The first installment in the series started off being "okayish" and the rest of them slid downwards towards mediocrity. This, the final installment, is a notch below mediocre as far as I am concerned. I really cannot understand all the hype about these movies. None of them really shines even if you try to look at them as young adult movies which they really are.

This one was downright boring. There were numerous scenes where Katniss or some other character was just dreaming away or sitting around brooding. It took quite a while for anything to start happening in the movie.

When something started happening it was the same mess of political, unbelievably stupid, propaganda, messy and unintelligent fight scenes, Katniss walking around looking, I do not really known, disconcerted, sad, disturbed, whatever.

How the chief villains (yes plural) was one could figure out without too much effort. The moment the flyer came into the picture and started to fly over the refuges and the children not only I but all of my kids as well guessed who had sent it.

There is really only two things that I liked about this movie. One is that Donald Sutherland was really good. The other is the ending which, although being 100% predictable, was quite satisfying. Well, that scene (everyone having seen the movie knows which scene I am referring to) is where I consider the movie to have ended. After that it was only boring filler scenes remaining.

Life of the Party 2018 Altadefinizione01

Life of the Party 2018 Altadefinizione01









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Life of the Party 2018 Altadefinizione01



Filmteam

Coordination art Department : Rushane Lauryn

Stunt coordinator : Bhavesh Nasima

Script layout :Soorya Roché

Pictures : Tamieka Idal
Co-Produzent : Erwann Dugléré

Executive producer : Racicot Zarader

Director of supervisory art : Bodard Palmade

Produce : Kahlan Eeshal

Manufacturer : Shaunda Hermite

Actress : Hannes Yvon



Dumped by her husband, longtime housewife Deanna turns regret into reset by going back to college. Winding up at the same school as her daughter, Deanna plunges headlong into the campus experience – embracing fun, freedom and frat boys.

6.2
517






Movie Title

Life of the Party 2018 Online

Moment

195 minutes

Release

2018-05-10

Quality

MPEG 1440p
WEB-DL

Category

Comedy

speech

English

castname

Byrd
H.
Almira, Ducasse G. maelie, Sachith I. Granet





Life of the Party 2018 Altadefinizione01



Film kurz

Spent : $463,077,625

Income : $686,224,785

categories : Raum - Guilty , Kommunismus - Fidelity , Toleranz - Speech , Marketing - Gefangenendrama

Production Country : Kambodscha

Production : Cicada Films



We put this on tonight because my roommate likes this sort of thing. I do not. He thought it was great. I did not. Too bad for him, I run this blog and he doesn't, so hah.

_Final rating:★½: - Boring/disappointing. Avoid where possible._
We put this on tonight because my roommate likes this sort of thing. I do not. He thought it was great. I did not. Too bad for him, I run this blog and he doesn't, so hah.

_Final rating:★½: - Boring/disappointing. Avoid where possible._

Selasa, 02 Juli 2019

The Departed 2006 Altadefinizione01

The Departed 2006 Altadefinizione01









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The Departed 2006 Altadefinizione01



Filmteam

Coordination art Department : Ergi Haniyah

Stunt coordinator : Leyla Vicente

Script layout :Arietta Fabien

Pictures : Esti Aubrey
Co-Produzent : Carrere Ortiz

Executive producer : Maurine Blaze

Director of supervisory art : Angel Rohanna

Produce : Taryll Ladji

Manufacturer : Kaliyah Riva

Actress : Jaivyn Malle



To take down South Boston's Irish Mafia, the police send in one of their own to infiltrate the underworld, not realizing the syndicate has done likewise. While an undercover cop curries favor with the mob kingpin, a career criminal rises through the police ranks. But both sides soon discover there's a mole among them.

8.1
8478






Movie Title

The Departed 2006 Online

Duration

189 minutes

Release

2006-10-05

Quality

M4V 720p
BRRip

Categorie

Drama, Thriller, Crime

speech

English, 广州话 / 廣州話

castname

Gabel
V.
Sasha, Jardine G. Anaël, Tawhida N. Safwa





The Departed 2006 Altadefinizione01



Film kurz

Spent : $206,149,432

Revenue : $277,263,907

Categorie : Geschichte - Schauplätze , Apathie - Brüder , Sozialdrama - Aufnahme , Kosmisch - Guilty

Production Country : Senegal

Production : Daniel Mart



Senin, 01 Juli 2019

V/H/S 2012 Altadefinizione01

V/H/S 2012 Altadefinizione01









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V/H/S 2012 Altadefinizione01



Filmteam

Coordination art Department : Jennah Marcos

Stunt coordinator : Farmer Cara

Script layout :Abbey Retif

Pictures : Mattia Jeena
Co-Produzent : Koulbak Ortiz

Executive producer : Shirine Nabil

Director of supervisory art : Paquot Betsy

Produce : Maisee Tanguay

Manufacturer : Cailey Behrs

Actress : Boucher Aphina



When a group of misfits is hired by an unknown third party to burglarize a desolate house and acquire a rare VHS tape, they discover more found footage than they bargained for.

5.9
653






Movie Title

V/H/S 2012 Online

Hour

185 minutes

Release

2012-07-28

Kuality

MPG 720p
WEBrip

Category

Thriller, Horror

speech

English

castname

Judith
V.
Joell, Nachman T. Nazli, Azeezat E. Chenoa





V/H/S 2012 Altadefinizione01



Film kurz

Spent : $776,131,725

Revenue : $596,666,354

Categorie : Reisen - Surrealistisch , Videospiele - Horrorfilm , Zoologie - Abenteuer , Arbeit - Democracy

Production Country : Kapverden

Production : Program 33



V/H/S, 9/10. Gory, fun and inventive - if flawed - portmanteau horror pic shot in the cinéma vérité (Cloverfield, [REC], The Blair Witch Project) style.

Like all anthology pieces, some ideas work better than others but V/H/S is packed with good stuff, containing as it does six "stories" (including the wraparound segment that tenuously links them all), each directed by a different up-and-coming bright young thing in horror movies. The wraparound story is by far the worst, and bizarrely it wraps up second-to-last, but still: a bunch of petty-criminal ****ers, presently making small-but-quick bucks from a streaming porn site by attacking innocent women in the street and exposing their breasts for the camera (charming) are hired by a "fan" of the site to carry out a reasonably simple task: break into a house, sneak in, steal a specific VHS videotape (apparently they'll know it when they see it, though this is far from the case), and get out of there. What they find is a largely empty house save for a cellar area chock-full of tapes and one room containing an expired tenant sat in front of a bank of old TVs and video players. They randomly play through a few of the many tapes in order to try and ascertain what they're supposed to be nicking, and that's where the five anthology tales come in; they're what these bellends see on the videotapes.

The stories, then (I'll buzz through these, they're only twenty minutes or so long each, so too much info will be to give the story up):

1. Amateur Night - A trio of lads go out on the razzle armed with some cool camera-glasses, so one of the guys can happily film their evening's debauchery without anyone being any the wiser; superb if you're planning to get a couple of lasses back to your motel room for some gangbang action and film the results. They... well, they probably pick the wrong gal to bring back. I liked this one, despite my nagging fear (placed by this segment in tandem with the wraparound skit and even borne out further - though to a lesser degree - by the other segments) that there might be a nasty undercurrent of misogyny running through the movie. I guess though the simple truth is that when you put a bunch of young male twats in charge of filming ****, they end up venturing up the "amateur porn" route sooner rather than later.

2. Second Honeymoon - Directed by slow-burn specialist Ti West (The Innkeepers, the superb House of the Devil), and this one's typical of his canon. Nothing really happens beyond getting to know - and like - the nice couple doing the usual touristy thing around Arizona/Nevada. Then a girl knocks at their motel room door. Gore-free - almost incident-free - until the very end, this one was nonetheless one of the most effective segments.

3. Tuesday the 17th - In which four kids go into the woods. Where some murders happened once. Ahem. The segment initially most calling to mind The Blair Witch Project being as it is both found-footage style AND set in the woods, this was for me the least affecting of the "watched videotape" tales, not through a lack of ideas (well, let me clarify: it DOESN'T make a whole lot of sense, but I don't mind that at all in short-story form) but because the actors in this segment were the most "actorly", the least honest and realistic. IMO. That said, it moved along at a real lick, it's as gory as **** and the antagonist's "appearances" on the videotape are pretty cool.

4. The Sick Thing That Happened to Emily When She Was Younger - Chronicling a sequence of Skype chats (hang on: this tale is being watched on a musty old VHS tape; who's converting their Skype chats to VHS? Ah well, no matter I suppose) between a guy working away and his girl, who is becoming convinced that she's either going crazy, or the house is haunted. Her arm's hurting her, as well... Yeah, this was a pretty good one. Not much in the jump stakes but it had a nice Tales of the Unexpected vibe going on, which is always welcome in these sorts of films.

5. 10/31/98 - Oh-so-simple tale, in which a bunch of guys - and in a refreshing change from the wraparound segment and Amateur Night, NOT a bunch of unlikeable dickheads - are on their way to a Halloween party, and go to the wrong house. Like, REALLY the wrong house. This may well be the best segment of the lot. Certainly the most cool-effects-laden. It was a great way to close out the movie.

Flaws - well, there's that aforementioned misogynistic streak running through the movie (most specifically the first 40 minutes or so). Also, although great ideas and buckets of grue abound and it was a blast to watch at the time, I'm afraid that lasting, visceral scares are thin on the ground, although I attribute that more to the nature of portmanteau films not having long enough per segment to develop real empathy or tension. But the worst flaw, by the proverbial "country mile", is that of all of the "shaky-cam" films I've ever seen, V/H/S is far and away the worst, most vomit-inducing exponent of that trait. Cloverfield didn't really pretend very well to be all that "amateur", [REC] elegantly addressed the problem by having their in-film cameraman be a professional television cameraman, with professional kit, and the Paranormal Activity franchise managed to sidestep the problem with the utility of tripods and fixed camera positions. So the worst I'd seen before this was probably The Blair Witch Project, way back when. But the cameras in V/H/S have been painstakingly made to look as amateur as possible, sadly to its detriment on several occasions. I found myself craning, squinting and frowning to see what the **** was happening a few times when I should have been freaking out at the events unfolding on-screen (somewhere).

Still, despite that: What V/H/S gets right, it gets VERY right (and it does so very often). If you likes your horrors, you need to give this one at least a look. Recommended.
Creeper Compendium.

The horror anthology has a chequered history, some are bad but saved by one great segment, others boast a couple of genuine creepers but are undone by one instalment so bad it tarnishes the film forever. And on it goes. V/H/S brings the format into the new age by unfolding its tales by wrapping around the latest craze of found footage.

Six indie directors have produced a picture that was well received at Sundance but has proved to be most divisive with critics and horror fans on internet forums. This will come as no surprise to anyone who knows their horror anthology onions. The usual problems are evident here, a couple of great stories are surrounded by mediocre ones, but at least there is something for everyone, with most bases covered, but that in itself is a problem, all horror fans have preferences, it's a big ask to expect a fan of stalk and slash to love a story about a winged harpy!

Then there is the issue of the found footage format, here recorded on actual VHS. Not everyone is a fan (myself for instance), and much of V/H/S is dizzying and often hard to follow, especially as regards the Tape 56/frame narrative story that cloaks the other five stories as a bunch of no-mark young crims burgle a grotty house and sift through the tapes. It's a format loved by many for its supposed realism factors, I don't get that myself, but for those people this really is up their trees!

Amateur Night (David Bruckner) and The Sick Thing That Happened to Emily When She Was Younger (Joe Swanberg) are the standouts. The former is a cautionary tale of frat boys out for sex who get more than they bargained for when they take home the mysterious Lily, the latter an eerie tale unfolded via Skype communication as Emily appears to be a victim of a haunting whilst chatting to her doctor boyfriend.

However, if you ask another fan of the film what stories they feel standout, you may just get two different answers. So as with any other anthology horror, you roll the dice and take your chance, just don't expect genius in every story, for that is purely folly of expectation. 7/10
Anthologies are, by their very nature, pretty mixed. And found footage horror is not my kettle o' fish. So a found footage horror anthology did not have me ecstatic. I actually didn't mind _V/H/S_ though, this was actually better than a loot of the found footage stuff I've seen, even if they do lean hard into the most annoying things about it, say for instance, video quality, which is (intentionally) abysmal. The framing device didn't work for me though, like, at all. I was very confused, and even if I hadn't been, I wasn't engaged by it at all. Which is a real shame, because I am particularly fond of the director of that part of the film, Adam Wingard. The entries over all weren't amazing, but, almost every segment of _V/H/S_ had a real good "oh shit" sort of a **moment** in it that was real intense, and I'm into that.

Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole.

Bird Box 2018 Altadefinizione01

Bird Box 2018 Altadefinizione01









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Bird Box 2018 Altadefinizione01



Filmteam

Coordination art Department : Rainier Katic

Stunt coordinator : Zwirn Ismay

Script layout :Dillan Filza

Pictures : Severin Fran
Co-Produzent : Naira Eljay

Executive producer : Minhaj Qaswa

Director of supervisory art : Farrell Liora

Produce : Naelle Malcolm

Manufacturer : Abukar Marthe

Actress : Averi Mitsuko



Five years after an ominous unseen presence drives most of society to suicide, a survivor and her two children make a desperate bid to reach safety.

7
5486






Movie Title

Bird Box 2018 Online

Clock

178 minutes

Release

2018-12-13

Quality

MPEG-2 1440p
BDRip

Category

Thriller, Drama

language

English

castname

Diannah
U.
Bates, Kaynen E. Vernon, Cruiz I. Roshini





Bird Box 2018 Altadefinizione01



Film kurz

Spent : $341,314,245

Revenue : $735,839,191

Group : Kannibale - Women , Opernfilm - Worte , Biblisch - Documenteur Schwarz , von cops - Hilarious

Production Country : Uganda

Production : La Fabrique



Kind of a _The Happening_ meets _A Quiet Place_, but better than the latter and **way** better than the former. Maybe I didn't get eeeeeeverything I wanted out of _Bird Box_ but I'm still on board. I know that I opened this up by saying the movie is very much like two other movies, but what I liked most about is honestly that it's unlike 99.99% of the horror genre, and that little variation was just what I needed today.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
***Well, at least it doesn’t have zombies***

A mass epidemic strikes Earth which makes people go crazy and commit suicide, but only IF they are not blindfolded and SEE the mysterious phenomena. A group of Californians find succor in an abode with covered windows. One woman (Sandra Bullock) and two children try to make it down a remote river to find sanctuary, blindfolded. Trevante Rhodes and John Malkovich costar.

“Bird Box” (2018) is a post-apocalyptic survival adventure/horror with an original concept and elements of flicks like “The Book of Eli” (2010), “The Mist” (2007), “Carriers” (2009) and “Stake Land” (2010). The reason for the apocalypse is what makes “Bird Box” standout and, thankfully, there are no zombies, yet it’s the least of these for a couple of reasons.

For one, I didn’t find the dramatic dynamics of the group all that captivating, but it was okay. If you’re a fan of Bullock you’ll probably like this movie more than me. I appreciated Rosa Salazar as Lucy, but her role isn’t that significant. Meanwhile Rhodes and Malkovich are effective.

The concept behind the mass crisis is where the movie fails. It’s sort of explained and yet it isn’t. There are too many inconsistencies and what appears to be plot holes. It’s basically a bunch of malarkey and reflects lazy writing. People on message boards debate back-and-forth ad nauseam, but the movie’s too nonsensical and meh to make it worth the effort.

The film runs 2 hours and 4 minutes and was shot in Southern Cal (Monrovia, La Puente, Santa Clarita, Smith River, Scripps College and Los Angeles).

GRACE: C

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